When grief comes to you as a purple gorilla
you must count yourself lucky.
You must offer her what’s left
of your dinner, the book you were trying to finish
you must put aside,
and make her a place to sit at the foot of your bed,
her eyes moving from the clock
to the television and back again.
I am not afraid. She has been here before
and now I can recognize her gait
as she approaches the house.
Some nights, when I know she’s coming,
I unlock the door, lie down on my back,
and count her steps
from the street to the porch.
Tonight she brings a pencil and a ream of paper,
tells me to write down
everyone I have ever known,
and we separate them between the living and the dead
so she can pick each name at random.
I play her favorite Willie Nelson album
because she misses Texas
but I don’t ask why.
She hums a little,
the way my brother does when he gardens.
We sit for an hour
while she tells me how unreasonable I’ve been,
crying in the checkout line,
refusing to eat, refusing to shower,
all the smoking and all the drinking.
Eventually she puts one of her heavy
purple arms around me, leans
her head against mine,
and all of a sudden things are feeling romantic.
So I tell her,
things are feeling romantic.
She pulls another name, this time
from the dead,
and turns to me in that way that parents do
so you feel embarrassed or ashamed of something.
Romantic? she says,
reading the name out loud, slowly,
so I am aware of each syllable, each vowel
wrapping around the bones like new muscle,
the sound of that person’s body
and how reckless it is,
how careless that his name is in one pile and not the other.
“Fourth of July, 2012” by Robyn Schiff
I remember a performance
of Antigone in which she
threw herself on the floor of
the universe and picked up
a piece of dust. Is that
the particle? It startled me.
Was it Scripted? Directed?
Driven? I am a girl, Antigone.
I have a sister. We love
each other terribly. I am a woman
of property. The milk of the footlights.
The folds of the curtain. I remember
a performance of Antigone. She stooped.
There was a wild particle.
It was glorified by my distance.
I heard the hooves of the dust.
The ticking of the script
calibrating oblivion. I saw
the particle hanging
and Antigone needed something
to do with her hands
and she did it.
from “Talk Piece: David” by Joe Hall
*
I want your help
I want to ask you a question
There is an unmoving body
but you are at work and I am about to go
because I am entering the waterfall museum
the mirror through which this type is traveling
200,000 cubic yards of dioxin
sliding gate to gate to view
this simple gesture I am stacking
building as garden
cancer of the mouth
fuller vibrato